JACOB GABRIEL WEINER

samādhāna listens to the entanglement of speech, devotion, and environment. The human impulse to address the divine — shaping both theology and evolution — takes form in sound, where voice and instrument resonate with natural forces.

Rooted in recordings of a Malayalam ritual at the Sree Krishna Swami Temple, Pattam Thuruth, the work slows and stretches chant into elemental textures. In this dilation, samādhāna — “putting together” — emerges as a search for resonances that transcend language, carrying traces of both ecology and shared human longing.