(de).synchronized reduces video to color, then projects and films it once, its instability amplified by the camera’s refusal to synchronize with the screen. Alongside this, the sound of my own breath — muffled, distorted — threads a corporeal presence through technological disruption, insisting on the persistence of the body amid mediated surfaces.
The work resists representation. Colors no longer illustrate; they vibrate. The image no longer resolves; it flickers. Presence emerges not from clarity, but from distortion — lived in noise, instability, and the shifting interval between what is seen and what is sensed.